Apocalyptica shreds it up in Boston |
I didn't even realize they were a touring band until a couple years ago, and I was drooling at the chance to see them live. They did not disappoint. In fact, it was one of the best concerts I've ever seen. I was stunned by their energy and movement all over the stage. These guys ran all over the place with their cellos just like any other band with guitars. There was so much head banging and cheering, yet such a unique and haunting sound. I still remember the first moment I heard a cello string played while the crew set up the stage, it had such a different resonance down to my bones. Visually, they look like a metal band with their long hair flying all around, crazed solos, and pure high-energy fun. They took a brief interlude to play "proper" cello music, all of them taking seats and playing some beautiful string arrangements. The raucous crowd simply stood in silence, watching and listening with such awe, it was surprisingly moving. After a night of heavy metal cellos including Metallica covers; Wherever I May Roam, Master of Puppets and Seek and Destroy, they closed with a classical nugget from 1874, In The Hall of The Mountain King. It was the most profound rock show I could imagine, and is a sight not to be missed.
It was a true multicultural night, as the openers were Japanese metal band, Dir En Grey. I couldn't decide what language they were singing in, but somehow I liked it anyway. The singer had a range from deep demonic wails to high pitched sounds like dolphins crying. This summer has been the best luck I've ever had with enjoying opening bands that I'd never heard of. Even Lori was digging some Japanese death metal.
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